voice

Accent on Voice

Accents are often the first thing on the minds of young actors, and there’s no doubt being able to speak with different accents is a useful skill.  This article  came to me from my dear friend and colleague, Amy Stoller, one of New York’s top accent coaches. The author shares his experience of discovering that his Pakistani accent had modified itself quite unbeknownst to him, as he lived for years in the States, and how he realises now how much cultural, social and even political baggage  – if not downright prejudice – is attached to the way people pronounce their words.

Scottish Theatre Company, Macbeth company 1982, outside Glamis Castle.
Scottish Theatre Company, Macbeth company 1982, outside Glamis Castle.

My own experience confirms this, albeit in a pretty mild way, compared to the challenges faced by people from different language groups and different ethnic groups from the mainstream.  While living in Scotland I found I had to modify my accent if I wanted to be understood clearly, and immediately.  Without that rolling Scots ‘r’ in the middle of words (like the word “words”), the local populace found it hard to tune in to what I was trying to communicate. It didn’t take a lot of effort, just a tilt of the tongue in the general direction of an ‘r’ was sufficient for general comprehension. But of course, if you move your tongue to a different position in a word, the surrounding sounds cannot help but be affected as well.

And so it was, that I returned to Australia some years ago to find myself accused of being Scottish.  No Scot would ever have thought so!  I’ve modified myself back to regular Aussie, but still people often assume I am from the UK.  Why should that be?

My own theory is that because I speak clearly, and because my voice has a pretty good range of colours and inflections, I sound somehow “posh”.  This is in spite of the fact that many upper class English folk mumble, speak on a narrow range, and certainly speak much more quickly than I do.  But, as Omar Akhtar says in his article, “Basically, if you sound non-native, you’re screwed.”

Actors need to be able to “do accents” so that they can play a very wide range of roles. Here in Australia, it’s important for a jobbing actor to have a great General American accent, because the paid work lies in the film and tv productions being filmed here by US companies.

What I want to emphasize here is that if you don’t have a good grounding in basic voice work, if you don’t have a well placed, well supported, well-varied, open and flexible voice to begin with, it will be harder for you to create those unaccustomed sounds of different accents with ease. And if you can’t do it with ease, it will always sound ‘tacked on’.

Voice and speech are inseparable. But they are not the same thing. Voice carries the speech, it fills the speech, it gives the words and phrases of speech body, life and soul.  Work on your voice first, and the speech work will fall into place.  Of course, you have to work on the speech part – nothing good comes from nothing!

Do you have an accent?  Is it the same as those around you, or different?  What is your experience of being judged by your accent?  Share your story in the comments below.

 

Voice

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Voice IS Movement

A week or so ago I ran into a young woman who had taken part in some short classes I once ran for a group of performance studies students. There were five hour long classes, not compulsory. Some students came to all five, some would arrive late, others would leave early to finish assignments or attend rehearsals. As far as I am aware, this was their only opportunity for voice training. The young woman apologised that she hadn’t followed up on the voice work because she had spent the past six years “working on my body instead”.

I was so shocked in that moment that I had absolutely nothing to say. Thoughts like “I’ve failed!” “I must be a dreadfully bad teacher” floated through my head like rats in a flood.

Then I came across this video. It’s a gorgeous short film, created by master film maker Jon M. Chu (Never Say Never, Step Up 2: The Streets and Step Up 3D, illustrating the power of the body to communicate and move us.  It’s inspiring, and I love it.

Here is a reminder of how it is introduced:

“This is what we believe…There are things in this world more powerful than words… movement is the most basic form of communication for every single human being on the planet, expresses what a whole bunch of words never can… It’s not about how many flips, or turns, or how straight. It’s about how far you can stretch the soul.”

Wonderful, isn’t it? Who would disagree with this? I certainly don’t. The problem I have with it is not the way it promotes all forms of dance movement, it’s that its makers forget, or ignore, or are totally ignorant of the fact that voice is part of human movement.

When we make vocal sound, our bodies are also in movement and our voices, just like our hands, or hips, or any other visible part of our beings, express our human ways of being, our culture, and our souls. The only difference is that the voice is not visible.

Voice is not just the words it speaks. Words are concepts, ideas, thoughts made audible so that they can be communicated. Voice is more than the words it speaks.

Words require a mind in order to be spoken.
What is a mind?
What is speaking?

Speaking is the act of giving voice to words.
What are words?
What is a voice?

Voice is the body within the words
Voice is the soul reaching out to touch your body.

We don’t see voices with our eyes, but we don’t just hear them with our ears either. Sound waves do not flow directly out of our mouths and only land in the listener’s inner ear, thence to be translated into signals that the brain interprets. Of course that is part of the process, but there is also the part where sound waves impact upon the listener’s body. The listener is, literally, moved, in subtle but profound ways by the sound of the voice they are also hearing.

So when we train our bodies to be more expressive and communicative, please don’t forget to keep training our voices as part of that process. Give your voice a good stretch each morning, take it for a jog along its length and breadth, challenge it to leap higher, flow longer, dive deeper, twist and flip, bend and straighten. Move your voice to stretch your soul.

Do you agree?  Do you have a regular physical training regime that includes vocal stretches or resistance work? Voice trainers, do you encourage your students to move around the room as they do their vocal exercises? Share your thoughts below in the comments box.

Performance Skills Training, Voice

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