More workshops to come!

The Expressive Voice Workshop went down a treat last weekend. 8 participants from a great range of work and life experience joined in to fill the back room at 81 Renshaw with joyously wacky soundings, finding vibratory freedom in the Hungry Giant’s castle. Some feedback: “Flloyd’s Expressive Voice Workshops offer an informative and professional blend of theory and practice that will benefit performers and public speakers alike. I definitely benefited from attending this workshop” “I took away a tremendous  amount from your timely workshop (coming as it did, 4 days before my stand up set which was last night). Time went really quickly. My watch is unreliable and I didn’t realise the time had hurtled around to 3.45. I enjoyed …

Voice of the Clown

Yes, clowns have voices and if you are a clown, and would like to explore some interesting ways to care for your voice, and to grow its potential, this is the workshop for you. But you don’t have to be a clown to take advantage of some of their training techniques. I’ve been training with master clown, Ira Seidenstein (Quantum Clown: Slapstick to Shakespeare, Cirque du Soleil, Slava Snow Show etc) for around 14 years now, and I’ve been experimenting lately with using some of his exercises to help acting students to use their voices more creatively, bringing the joy of spontaneity into the voice class. So I’m offering a short (3-hour) taster workshop in Liverpool to a small group …

Brief Encounter with an Archetype

‘I enjoyed your workshop yesterday very much. It felt a bit like Commedia del Arte without masks and without having to keep to your character’s stereotype. Using text with these archetypes was a great exercise towards “truthfulness” of the lines. As an actor I want to be flexible and open for new things when I work on a character and going through the different archetypes with the text allows me to train that flexibility and openness I want to achieve.’ Yesterday afternoon I had the great pleasure of introducing a small group of 3rd year students to the process and concept of working with Archetypes.  I volunteered to give a free workshop, and they chose to show up of their own …

Playing comedy – for real

A young actor remarked to me the other day “when you play comedy, you can’t be real.”  My response was a heartfelt denial. Broadway actress, Andrea Martin, 5 times nominated and 2 times winner of a Tony for Best Featured Actress in a Musical, says in today’s New York Times, that “comedy comes from dedication to a role, rather than angling for laughs.  ‘To go into something thinking, How am I gonna get a laugh?  Is really disastrous in a play’”. Her current co-star, Tracee  Chimo, agrees: “You want the audience to laugh, and you want them to enjoy themselves, but you can’t ask for it – it’s a funky balance,” she said, “like walking this beautiful tightrope. You just …

4 Elements of a Great Group Warm up

Yes, I know I’ve written on this topic before, and I promise you I certainly will again, because there is always more to be discovered about the benefits of a warmup up. Specifically, today I want to discuss the reasons why a performance group should always warm up together. The Group Warmup. Anyone who has ever experienced a bad group warmup will want to escape now. Please don’t. Please stick around. Warm ups are like meals. A tough, over-cooked (or soggy under-cooked) one can put you off forever, because it leaves you with nothing but a bad taste and spoils your appetite for the rest of the day. A delicious, tasty, nutritious one leaves you satisfied and enthusiastic to face whatever the day …