What is Authentic Voice?

Pamela Kay is a voice coach based in Bedfordshire, England. She has a weekly programme on her local community radio station, Secklow Sounds 105.5 FM, in which she discusses all matters voice, and shares some dandy vocal exercises with her listeners. Here is an edited version of the programme which aired on 27th February 2019, in which Pamela interviewed me on the subject of Authentic Voice – what is it, why would you want it, and how to you get it? We didn’t manage to answer all of those questions, but we had a mighty good go at it! In other news, I’ve been invited to present my workshop “Fully Integrated Actor Training: Voice of the Clown” at the Voice …

More workshops to come!

The Expressive Voice Workshop went down a treat last weekend. 8 participants from a great range of work and life experience joined in to fill the back room at 81 Renshaw with joyously wacky soundings, finding vibratory freedom in the Hungry Giant’s castle. Some feedback: “Flloyd’s Expressive Voice Workshops offer an informative and professional blend of theory and practice that will benefit performers and public speakers alike. I definitely benefited from attending this workshop” “I took away a tremendous  amount from your timely workshop (coming as it did, 4 days before my stand up set which was last night). Time went really quickly. My watch is unreliable and I didn’t realise the time had hurtled around to 3.45. I enjoyed …

Voice of the Clown

Yes, clowns have voices and if you are a clown, and would like to explore some interesting ways to care for your voice, and to grow its potential, this is the workshop for you. But you don’t have to be a clown to take advantage of some of their training techniques. I’ve been training with master clown, Ira Seidenstein (Quantum Clown: Slapstick to Shakespeare, Cirque du Soleil, Slava Snow Show etc) for around 14 years now, and I’ve been experimenting lately with using some of his exercises to help acting students to use their voices more creatively, bringing the joy of spontaneity into the voice class. So I’m offering a short (3-hour) taster workshop in Liverpool to a small group …

Interview with Cicely Berry

A wonderful interview, Jane Boston (Royal Central School of Speech and Drama) talks with Cicely Berry, legendary voice coach and human being. What do you do when you have different directors with different idealogical approaches to the work, for example Trevor Nunn, who looked for “depth of feeling within characters”, or Terry Hands who focussed on the story-telling aspect, calling for “faster and louder”, while John Bardon looked to “honouring the structure of the verse” “I had to find different strategies to help actors to find their own response, and yet honour what the director wanted” And so much more…Enjoy!

Not Another Post About Warm Ups!

Oh yes! Because you can never have enough ways to warm up, and to challenge yourself to understand why the Warm Up is essential. Why warm up? Why not just rock up to class, or rehearsal, or the performance and just do the thing? Can you, indeed, switch from your everyday ways of moving, sounding, thinking and being in your normal life to ways of moving, sounding, thinking and being AS IF you lived a different life, for the purpose of inviting an audience to share in aspects of that different life. In my book, the answer is always No. You can’t. Nobody can. You can get better at making the switch as time goes by, make it in less …