accents

Real and Virtual Travel Adventures

Vivid Festival of Light, with Rob Christmas
Vivid Festival of Light, with Rob Christmas

I’ve just returned from a 3 days trip to Sydney, the first time I’ve been there for quite a few years.  It came about because of an invitation to run two workshops for the NSW Speech and Drama Association‘s annual seminar.  They wanted to sample my warmup programs for themselves, so that was the first session.  For the second one, they gave me free range, so I chose to work with them on Shakespeare cue scripts. They also very generously invited me to spend the whole two days with them, joining in all of their activities, including lunches at Bill & Tony’s, dinner at the Pullman Hotel, and a lovely wander down to the Harbour to see the last night of the Vivid Festival of Light.

What a Delightful Bunch of People!

I’m now back in Brisbane with a serious mission to complete my thesis revisions in the next fortnight, raise enough money to pay for my trip to LA to study Knight-Thompson Speech and Accent work, and to visit Seattle to catch up with my family, and my Seattle buddies in theatre and voice.

The App is doing well, with two fantastic reviews so far in the Australia App Store, and one in the US store.

Great app! ★★★★★

by GEAHSIA – Version 1.02 – Jun 8, 2013

This app is so easy to use, all instructions are very clear and are available visually and verbally. Great explanations of how the voice works and why vocal health is important. You could easily incorporate the mini vocal warm up into your everyday routine. Would be fantastic for teachers to use in class and for actors or directors to use in rehearsal.

A must have app! ★★★★★

by Lindaloo23 – Version 1.02 – Jun 6, 2013

Fantastic app! A great way to discipline myself to do regular vocal warm ups. Flloyd Kennedy makes working on your voice easy and effective – so no excuses! Every singer, actor, chorister, academic and teacher should have this on their phone!

Great app for vocal warm ups!!! ★★★★★

by Courtney Young – Version 1.02 – Jun 5, 2013

I love this app! It’s instruction is clear, concise, and the warm ups are perfect for maintaining vocal health. I would recommend this app to anyone!

Bessie the clown is also agitating for a few moments in the sun before too long, so I’ll be loping along to the Brisbane Clown Jam sessions on a Sunday evening at the Stores Building, Powerhouse. See you there, perhaps?

Performance Skills Training

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Accent on Voice

Accents are often the first thing on the minds of young actors, and there’s no doubt being able to speak with different accents is a useful skill.  This article  came to me from my dear friend and colleague, Amy Stoller, one of New York’s top accent coaches. The author shares his experience of discovering that his Pakistani accent had modified itself quite unbeknownst to him, as he lived for years in the States, and how he realises now how much cultural, social and even political baggage  – if not downright prejudice – is attached to the way people pronounce their words.

Scottish Theatre Company, Macbeth company 1982, outside Glamis Castle.
Scottish Theatre Company, Macbeth company 1982, outside Glamis Castle.

My own experience confirms this, albeit in a pretty mild way, compared to the challenges faced by people from different language groups and different ethnic groups from the mainstream.  While living in Scotland I found I had to modify my accent if I wanted to be understood clearly, and immediately.  Without that rolling Scots ‘r’ in the middle of words (like the word “words”), the local populace found it hard to tune in to what I was trying to communicate. It didn’t take a lot of effort, just a tilt of the tongue in the general direction of an ‘r’ was sufficient for general comprehension. But of course, if you move your tongue to a different position in a word, the surrounding sounds cannot help but be affected as well.

And so it was, that I returned to Australia some years ago to find myself accused of being Scottish.  No Scot would ever have thought so!  I’ve modified myself back to regular Aussie, but still people often assume I am from the UK.  Why should that be?

My own theory is that because I speak clearly, and because my voice has a pretty good range of colours and inflections, I sound somehow “posh”.  This is in spite of the fact that many upper class English folk mumble, speak on a narrow range, and certainly speak much more quickly than I do.  But, as Omar Akhtar says in his article, “Basically, if you sound non-native, you’re screwed.”

Actors need to be able to “do accents” so that they can play a very wide range of roles. Here in Australia, it’s important for a jobbing actor to have a great General American accent, because the paid work lies in the film and tv productions being filmed here by US companies.

What I want to emphasize here is that if you don’t have a good grounding in basic voice work, if you don’t have a well placed, well supported, well-varied, open and flexible voice to begin with, it will be harder for you to create those unaccustomed sounds of different accents with ease. And if you can’t do it with ease, it will always sound ‘tacked on’.

Voice and speech are inseparable. But they are not the same thing. Voice carries the speech, it fills the speech, it gives the words and phrases of speech body, life and soul.  Work on your voice first, and the speech work will fall into place.  Of course, you have to work on the speech part – nothing good comes from nothing!

Do you have an accent?  Is it the same as those around you, or different?  What is your experience of being judged by your accent?  Share your story in the comments below.

 

Voice

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