Flloyd Kennedy

Voice IS Movement

A week or so ago I ran into a young woman who had taken part in some short classes I once ran for a group of performance studies students. There were five hour long classes, not compulsory. Some students came to all five, some would arrive late, others would leave early to finish assignments or attend rehearsals. As far as I am aware, this was their only opportunity for voice training. The young woman apologised that she hadn’t followed up on the voice work because she had spent the past six years “working on my body instead”.

I was so shocked in that moment that I had absolutely nothing to say. Thoughts like “I’ve failed!” “I must be a dreadfully bad teacher” floated through my head like rats in a flood.

Then I came across this video. It’s a gorgeous short film, created by master film maker Jon M. Chu (Never Say Never, Step Up 2: The Streets and Step Up 3D, illustrating the power of the body to communicate and move us.  It’s inspiring, and I love it.

Here is a reminder of how it is introduced:

“This is what we believe…There are things in this world more powerful than words… movement is the most basic form of communication for every single human being on the planet, expresses what a whole bunch of words never can… It’s not about how many flips, or turns, or how straight. It’s about how far you can stretch the soul.”

Wonderful, isn’t it? Who would disagree with this? I certainly don’t. The problem I have with it is not the way it promotes all forms of dance movement, it’s that its makers forget, or ignore, or are totally ignorant of the fact that voice is part of human movement.

When we make vocal sound, our bodies are also in movement and our voices, just like our hands, or hips, or any other visible part of our beings, express our human ways of being, our culture, and our souls. The only difference is that the voice is not visible.

Voice is not just the words it speaks. Words are concepts, ideas, thoughts made audible so that they can be communicated. Voice is more than the words it speaks.

Words require a mind in order to be spoken.
What is a mind?
What is speaking?

Speaking is the act of giving voice to words.
What are words?
What is a voice?

Voice is the body within the words
Voice is the soul reaching out to touch your body.

We don’t see voices with our eyes, but we don’t just hear them with our ears either. Sound waves do not flow directly out of our mouths and only land in the listener’s inner ear, thence to be translated into signals that the brain interprets. Of course that is part of the process, but there is also the part where sound waves impact upon the listener’s body. The listener is, literally, moved, in subtle but profound ways by the sound of the voice they are also hearing.

So when we train our bodies to be more expressive and communicative, please don’t forget to keep training our voices as part of that process. Give your voice a good stretch each morning, take it for a jog along its length and breadth, challenge it to leap higher, flow longer, dive deeper, twist and flip, bend and straighten. Move your voice to stretch your soul.

Do you agree?  Do you have a regular physical training regime that includes vocal stretches or resistance work? Voice trainers, do you encourage your students to move around the room as they do their vocal exercises? Share your thoughts below in the comments box.

Performance Skills Training, Voice

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Fresh Voice! The Acting Class 2012

The next block of voice and acting classes will take place on Sunday mornings, from 9.30 am to 12.30 pm. 

7th October – 25th November

The Voice Class integrates pure voicework with physicality, creative expression and performance technique.

The Voice Class works with the movement of breath in the moving body, to facilitate passionate, nuanced, intelligent self-expression and communication. The overall objective is BEING consistently and totally present IN the act of sounding the VOICE. Join us for seven  three hour sessions, exploring your vocal potential with and without text. Contemporary and classic texts.

“How wonderful is the human voice! It is indeed the organ of the soul!” Longfellow

Pure voice, vocal maintenance, storytelling, public speaking, audition monologues, text analysis

Cost: 7 (3 hour) sessions: $360
(Earlybird – pay before 30 August 2012 – $320)

Contact Flloyd to enquire.

Flloyd’s work has been influenced by some of the world’s foremost voice and theatre practitioners, including Valerii Galendiev of The Maly Drama Theatre of St Petersburg, Anna Petrova of the Moscow Art Theatre SchoolKrszysztov MiklasewskiFrankie Armstrong, Kristin Linklater, Harriet Buchan (Roy Hart work), Marcia McCallum, Catherine Fitzmaurice, Ira Seidenstein (Quantum Clown) and Tim Smith (Vocal Alchemy)

“Flloyd is a committed and passionate advocate for the power of the actor. Her knowledge of the literature, theory, practice, and history of the theatre (and of the use of the voice in particular) is deep and comprehensive. Working with Flloyd is like hanging out with an old and dearly loved friend, a friend who will help you to improve and inspire you to greater creativity with laughter and a fierce love of the art form.” John Graham

“Flloyd is a fantastic actress and director… which naturally lends its way to her being a brilliant teacher. I’ve worked with Flloyd as a director first, then I had the opportunity to share the stage with her! But I mostly loved working with her as a student through her Archetypes and Being in Voice classes. She encourages you to explore your imagination through movement and voice. She actually pulls your voice inside out so that you are not only using your “voice”, but the voice within that wants to rise to the surface! I miss her and her classes, very much and only wish I could steal her away from Brissy, and permanently place her in Houston, Texas!”  Lyndsay Sweeney


“The penny dropped, and I realised that voice work is not a ‘nice to have’, but the foundation on which is built any hope of connecting with an audience”

“What Flloyd teaches has relevance beyond conventional theatre and acting, it can be applied in so many ways and walks of life”

“I was so impressed with the amount of info covered – the biology, theory, research, a huge range of vocal exercises, and then to integrate this so well with performance, authenticity, playfulness and mindfulness on stage.”

“Thank God for Flloyd and her classes! Inspiring, fun and challenging… I would recommend these classes to any actor”

“If you live in Brisbane join up!! It’s the most fun and beneficial thing an actor can do for voice, imagination and body!” 

As well as vocal function, and vocal maintenance, we will explore our full vocal range with techniques of lamentation and many different singing techniques. We will also examine how we use our voices to share our inner lives, and to invite others to see the world the way we see it, in the present moment, through a learned text.

At the end of the seven sessions, you will be ready to audition – if that is what you wish to do.

You don’t need to be an experienced actor, or a singer, to benefit from and enjoy this work. On the other hand, professional actors, singers and voice users will find the work refreshing and invigorating.

Performance Skills Training

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