Performance Skills Training

It’s hard work, so it had better be fun

The Voice Class has just passed the half-way mark.  We’ve established the basic principles of good posture, self-awareness as against self-consciousness, the physics of sound and the relationship between breath and voice.  We’ve learned the mini-vocal warmup, and begun the process of expanding it into the vocal maintenance program.

A week ago, I introduced the students to my full vocal warmup, the one that was originally developed in Scotland by the members of the Golden Age Theatre ensemble. And we really were an ensemble, sharing ideas, energies, skills, experience to make theatre together.  The warm up began as a purely physical warmup, but I have developed it over the years to be a total, all-in-one program that serves as training as well as a device to bring into focus the body, voice, brain, emotions, imagination and anything else that contributes to the YOU-ness of you.

We fudged some of the more challenging physical aspects of the warmup last week, but last night it was the full whammy. Hard work, but also fun. The fun part kicks in when you actually know what you are doing – as with anything – and you can begin to play with the different elements while respecting the integrity of the structure.

So today, I’m just a little bit sore. But my heart is full.

Performance Skills Training, Voice

It’s hard work, so it had better be fun Read Post »

Voice Alive!

I recently committed myself to take part in a three week intensive, full time clown training course with the fabulous Ira Seidenstein.  Terrified that I might totally exhaust myself, and run out of beans to do anything for the rest of the year, in fact I came out at the end quite invigorated and fired up, ready to take on anything 2012 can throw at me.

We worked with Shakespeare’s text, some of it placed in the mouths of actual clowns, some that you might never suspect of being clowns ‘as characters’, but then what is a character?  It’s a person. And if you are the person playing that character, and you happen to be a clown, then way-hey to go!

For example, in this clip, Anne Chaponnay, a French improv performer who came out from Paris to do the workshop plays Katherine, Princess of France, while I am her chambermaid, Alice, in a scene from Henry V.

I’m now very excited about the upcoming Voice Class, and the prospect of playing with some actors, singers, teachers, Mums, Dads, people of the world with a view to growing our voices, our self expression and our capacity for speaking great language ourselves.

Still a few places left. Get in touch, either by Facebook (Being in Voice), or Twitter (@flloydpk) or use the form below.

 

 

Performance Skills Training, Voice

Voice Alive! Read Post »

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