Brief Encounter with an Archetype

‘I enjoyed your workshop yesterday very much. It felt a bit like Commedia del Arte without masks and without having to keep to your character’s stereotype. Using text with these archetypes was a great exercise towards “truthfulness” of the lines. As an actor I want to be flexible and open for new things when I work on a character and going through the different archetypes with the text allows me to train that flexibility and openness I want to achieve.’ Yesterday afternoon I had the great pleasure of introducing a small group of 3rd year students to the process and concept of working with Archetypes.  I volunteered to give a free workshop, and they chose to show up of their own …

Anatomy of the Larynx

Something technical, just for a change. My colleagues at VASTA posted a link to this tutorial on Facebook, and it is just the most wonderful resource:  one episode in a collection of clear, detailed tutorials on the anatomy of the larynx. I know some people find it challenging to deal with the “how it works” part of the voice. I’m not one of them, I just love to know how things work, how the different parts of the body interact and support each other – collaborate, indeed – to give us the actions we call our own. So please, watch, listen and learn. Follow up with the next tutorial, and the next, but don’t get bogged down in the technical terms, …

Preparing for a Vocal Marathon – Part I

Today I was working on Skype with a new client, who asked me for exercises to help her cope with the challenge of a 28 minute narration (voice over). This is a long time for an untrained voice to sustain colour, flexibility and ease. Small wonder she finds herself stumbling over long words and complex phrases. It is not normal to speak to 28 minutes without rest. This is a vocal marathon. The voice, like any other part of the human anatomy, requires muscles to move it, shape it, colour it, empower it. The voice might take the form of sound waves, invisible to the eye. It might seem to be as easy as breathing – and that’s how we’d …

The Voice, the Whole Voice, and Nothing But the Voice

These days I seem to hear just about everybody in film or TV dramas performing at least 80% of the time “off voice”, speaking in a semi-whisper, or creaking or croaking. I can’t bear it. It’s the fashion, I’m an old fogey, my hearing is Good For My Age, which means not as good as the average 25 year old, so this means most of the time the dialogue is just at the edge of my comprehension. No point turning up the volume. Because the so-called “background” music will just get louder too.. My guess is that the directors think it denotes intensity. They don’t do it in the comedies. Or at least not as much. For me, it denotes …