Flloyd Kennedy

Wacky Noises Indeed!

St Joan of Philadelphia – gazing at the “Rocky” steps in front of the Museum of Art.

Since I’ve been back in Liverpool I’ve been busy developing an online course for Reluctant Public Speakers. I’d be interested to know if you have any concerns about public speaking, and if so, would you be willing to share them with me? Here is a short form where you can offer some suggestions and/or requests. For anyone who fills in the survey, I am happy to respond to your particular concerns. Just include your email at the end of the survey.

I’m delighted to report that the “Voice of the Clown” workshop at the Voice Foundation Annual Symposium – Care of the Professional Voice – in Philadelphia on 31st May was an absolute HOOT!

The room was, as expected, not as large as it could have been, but still, larger than most. It never ceases to amaze me how many music colleges have modest, if not tiny studio spaces which don’t encourage much physical movement. Still, we managed. We moved all the folding chairs to the end of the room behind the grand piano and the comfortable couches, took off our shoes and got stuck in.

After a fast and furious but thorough physical and vocal warmup, I invited 4 participants to explore the first exercise moving longways down the room (only room for 4 at a time!). Very quickly I sensed that this was going to be most frustrating for the ones waiting to take a turn, so I ‘bit the bullet’ and called on everyone to try it out together. And they did. It was Ira Seidenstein’s ‘Nothing’ Exercise, which is normally done moving in a straight line, consciously moving the arms to create a shape in the air in front of the body, but in these circumstances the two dozen or so participants managed to weave in and out and around each other, never crashing into each other, choosing to stop, improvise, abandon, start again.

Then we tried it with the ‘Creative Twist’ which is ‘same but different’ (in Ira speak) and which culminates in improvised sounds arising from the physical impulse as one is moving with funny walks. Again, no crashing into each other, and most people quite happy to be engaged in their own personal physical, intellectual, emotional creative space – wherever that happened to be in the room at the time. I would say, much more than ‘quite happy’, there was a definite air of joy in the room by the time we finished. 50 minutes of focussed, energised, spontaneous creativity.

The Philadelphia Boys Choir performing at the Gala evening.
Performance Skills Training

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Not Another Post About Warm Ups!

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][x_image type=”none” src=”https://beinginvoice.com/wp-content/uploads/2017/03/MGA-Acting-1.jpg” alt=”” link=”false” href=”#” title=”” target=”” info=”none” info_place=”top” info_trigger=”hover” info_content=””][cs_text]Oh yes! Because you can never have enough ways to warm up, and to challenge yourself to understand why the Warm Up is essential.

Why warm up? Why not just rock up to class, or rehearsal, or the performance and just do the thing? Can you, indeed, switch from your everyday ways of moving, sounding, thinking and being in your normal life to ways of moving, sounding, thinking and being AS IF you lived a different life, for the purpose of inviting an audience to share in aspects of that different life.

In my book, the answer is always No. You can’t. Nobody can. You can get better at making the switch as time goes by, make it in less time, but only when you really, really know what you are doing. Not just know in your mind, but in every cell of your body – and that takes practice.

So what is a Warm Up, but practice? Practising. Training yourself to be more efficient, more flexible, more specific, more creative, more responsive – and let’s not forget the unspoken one, more responsible.

Here’s a little taste of a couple of exercises we did in yesterday’s voice class. But it’s important to note that we only did this after we had a great sit down discussion about what, exactly, we are warming up and why and how. [/cs_text][/cs_column][/cs_row][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][x_accordion][x_accordion_item title=”Warm Up What?” open=”false”]Your Whole Self:
a) Your whole body, including muscles, joints, heart and lungs, limbs (including feet and fingers), and of course, larynx
b) Your vocal sound, including phonation, pitch, articulation and enunciation, resonance
c) Your intellect, including powers of observation, concentration, focus, attention, AND
d) Imagination and
e) Emotions
[/x_accordion_item][x_accordion_item title=”How do you warm up?” open=”false”]By doing everything at once?

That sounds daft, but actually YES (in a way). Because if you are not being imaginative, creative, playful as you are doing your physical warm up, you are not training yourself to be imaginative, creative and playful as you move in performance. If you are not making some form of gentle sound as you warm up your arms and legs, when do you learn how to move and speak at the same time?

As for emotions… We have them, cooking away inside us, all the time, sometimes so light and subtle they are hard to realise, sometimes so powerful they are hard to control. So use your warm up to notice how you feel, notice how that feeling is fleeting, and how it morphs into something different. All the time. [/x_accordion_item][/x_accordion][/cs_column][/cs_row][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][x_video_embed no_container=”false” type=”16:9″][/x_video_embed][x_text_type prefix=”” strings=”Thank you to MGA Academy of Performing Arts for permission to use these images.” suffix=”” tag=”h6″ type_speed=”50″ start_delay=”0″ back_speed=”50″ back_delay=”3000″ loop=”false” show_cursor=”false” cursor=”|” looks_like=”h6″][/cs_column][/cs_row][/cs_section][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”] [/cs_column][/cs_row][/cs_section][/cs_content]

Performance Skills Training, Voice

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