Performance Skills Training

Put Your Best Pitch Forward

When you only have 5 minutes to make your presentation, to persuade busy, influential people that your idea is the best, the only entrepreneurial idea worth supporting, you’d better sound as good as you believe your idea is.

Five Minute Pitch Competitions are a great opportunity for would be entrepreneurs to be heard by a venture capitalist who might be willing to fund their startup. So let’s think about what needs to be heard, and why.

1) Your passion.  You need to be heard as a professional entrepreneur who cares about your potential company, and your product.

2) Your conviction. You need to persuade the audience that you are convinced your idea, or product is excellent because you have done the homework, and your research is thoroughly tested.

3) Your commitment. You need to convince everybody that you are in this for the long haul, and that you have the courage to make it your first priority.

4) Your understanding. You need to share the specifics of your product or idea clearly, succinctly and entertainingly.

Now, you might be forgiven for thinking that if you just write it all down, memorise it, and then speak it out loud, that you will be doing all you need to do.  And you would be wrong, very wrong. Because in the words of the song: “It ain’t what you do, it’s the way that you do it”.

Sounding genuinely passionate and dedicated with conviction is not as easy as it… sounds.  It is easy to sound like an infomercial salesperson, because we hear them on the telly and we know how to imitate them.  However, pretending to sell something, over-enthusing about it is a real turnoff, and many a brilliant potential entrepreneur has disappeared over the horizon as a result of a poorly presented pitch. At the other extreme are the “um-mers” and “er-ers”, who may be very passionate and well-prepared, but who simply do not hear themselves accurately, or do not have enough innate confidence in themselves to allow their speech to flow naturally and easily.

For a thoroughly excellent run down of the kind of things you need to include in your presentation, check out this blog posting by Bill Cunningham, “The Pitch Doctor”.

Then think about your voice, the physical means by which you will share those excellent facts and that passionate conviction.

You ARE your voice.  The you that exists in the moment of speaking is the one that is heard. So if you are tense, nervous, aggressive, shy, arrogant, insecure or a combination of some of all of these, that is what your audience hears. Your words may be full of confidence, but if your voice is apprehensive then that is what the audience perceives.

And that is one extremely vital element that stands between you and the fulfilment of your entrepreneurial dream.

Have you ever taken part in a Pitch Competition? Are you comfortable with the sound of your own voice? When you are irritated by a particular speaker, are you aware how much the sound of his or her voice contributes to your response?

Join the conversation, and leave a comment below. I’d love to hear your views on this topic. And please share with your friends and colleagues.

Performance Skills Training, Voice

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Fresh Voice! The Acting Class 2012

The next block of voice and acting classes will take place on Sunday mornings, from 9.30 am to 12.30 pm. 

7th October – 25th November

The Voice Class integrates pure voicework with physicality, creative expression and performance technique.

The Voice Class works with the movement of breath in the moving body, to facilitate passionate, nuanced, intelligent self-expression and communication. The overall objective is BEING consistently and totally present IN the act of sounding the VOICE. Join us for seven  three hour sessions, exploring your vocal potential with and without text. Contemporary and classic texts.

“How wonderful is the human voice! It is indeed the organ of the soul!” Longfellow

Pure voice, vocal maintenance, storytelling, public speaking, audition monologues, text analysis

Cost: 7 (3 hour) sessions: $360
(Earlybird – pay before 30 August 2012 – $320)

Contact Flloyd to enquire.

Flloyd’s work has been influenced by some of the world’s foremost voice and theatre practitioners, including Valerii Galendiev of The Maly Drama Theatre of St Petersburg, Anna Petrova of the Moscow Art Theatre SchoolKrszysztov MiklasewskiFrankie Armstrong, Kristin Linklater, Harriet Buchan (Roy Hart work), Marcia McCallum, Catherine Fitzmaurice, Ira Seidenstein (Quantum Clown) and Tim Smith (Vocal Alchemy)

“Flloyd is a committed and passionate advocate for the power of the actor. Her knowledge of the literature, theory, practice, and history of the theatre (and of the use of the voice in particular) is deep and comprehensive. Working with Flloyd is like hanging out with an old and dearly loved friend, a friend who will help you to improve and inspire you to greater creativity with laughter and a fierce love of the art form.” John Graham

“Flloyd is a fantastic actress and director… which naturally lends its way to her being a brilliant teacher. I’ve worked with Flloyd as a director first, then I had the opportunity to share the stage with her! But I mostly loved working with her as a student through her Archetypes and Being in Voice classes. She encourages you to explore your imagination through movement and voice. She actually pulls your voice inside out so that you are not only using your “voice”, but the voice within that wants to rise to the surface! I miss her and her classes, very much and only wish I could steal her away from Brissy, and permanently place her in Houston, Texas!”  Lyndsay Sweeney


“The penny dropped, and I realised that voice work is not a ‘nice to have’, but the foundation on which is built any hope of connecting with an audience”

“What Flloyd teaches has relevance beyond conventional theatre and acting, it can be applied in so many ways and walks of life”

“I was so impressed with the amount of info covered – the biology, theory, research, a huge range of vocal exercises, and then to integrate this so well with performance, authenticity, playfulness and mindfulness on stage.”

“Thank God for Flloyd and her classes! Inspiring, fun and challenging… I would recommend these classes to any actor”

“If you live in Brisbane join up!! It’s the most fun and beneficial thing an actor can do for voice, imagination and body!” 

As well as vocal function, and vocal maintenance, we will explore our full vocal range with techniques of lamentation and many different singing techniques. We will also examine how we use our voices to share our inner lives, and to invite others to see the world the way we see it, in the present moment, through a learned text.

At the end of the seven sessions, you will be ready to audition – if that is what you wish to do.

You don’t need to be an experienced actor, or a singer, to benefit from and enjoy this work. On the other hand, professional actors, singers and voice users will find the work refreshing and invigorating.

Performance Skills Training

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