voice training

Travel Plans 2014

I am so excited I am almost beside myself.  If there were two of me, we would be jumping up and down and hugging each other. But since it’s just me, myself and I, we will all three of us settle down and share the news.

The actual travel dates are not yet finalised, but this is roughly my itinerary:

Brisbane to Seattle – mid-June

Downtown Seattle
Downtown Seattle

Seattle to New York – late-June-July

New York to Liverpool, UK – mid-August

Liverpool to Au Brana, France – mid-September

then back to Brisbane.

In New York, I’ll be undertaking the Knight-Thompson Teacher Certification course.  In Au Brana I’ll be training with John Britton (Duende-Ensemble) on creating solo performance.

I am also planning to get together with some amazing voice specialists for some one-on-one mentoring in a whole range of vocal techniques – spoken and sung.

2014-05-17 12.25.16
Thunder’s Mouth Theatre’s practically instant “All’s Well That End’s Well”

While I’m in the various locales, I would love to play with some local artists, and I’m cooking up a few different projects to keep me well into the mischief as I go. Check out my Workshops to get an idea of what may be possible. I’m particularly keen to do more !Extreme Shakespeare, similar to the recent “All’s Well That Ends Well” project here in Brisbane.

Click here to let me know if you’d like more details as they come in. 

Theatre

Travel Plans 2014 Read Post »

Preparing for a Vocal Marathon – Part I

Today I was working on Skype with a new client, who asked me for exercises to help her cope with the challenge of a 28 minute narration (voice over). This is a long time for an untrained voice to sustain colour, flexibility and ease. Small wonder she finds herself stumbling over long words and complex phrases. It is not normal to speak to 28 minutes without rest. This is a vocal marathon.

The voice, like any other part of the human anatomy, requires muscles to move it, shape it, colour it, empower it. The voice might take the form of sound waves, invisible to the eye. It might seem to be as easy as breathing – and that’s how we’d like it to sound, no matter how much actual effort it might take to develop the ability to create a particular stream of sound. it’s good old muscle power that makes it all happen.

So what do we do when we want to be stronger, faster, more flexible, more powerful – fitter – than “normal”? Yep, we go to the gym. That’s exactly what we need to do with out voices if we want them to be able to do feats of extraordinary power, passion, or just length!

If we want stronger muscles, we do weight training. The trainer introduces us to the different machines, explaining how they work, what muscle sets they apply to, what weight level to start with, and how many repetitions.

If you want a stronger voice, one that will sustain you through the challenges of a day at the chalk face (old fashioned way of talking about school teaching), or a full day rehearsal, a 3 hour performance of a play or an opera, or several hours in court, then you must get along to the vocal gym, learn the exercises (and why they are what they are), start with the minimum repetitions, and then over time build them up to more, and more challenging lengths.

The Mini Vocal Warmup, available on the app, or downloadable at Download the Exercises is the minimum you need to do each day to begin the process. As you become accustomed to it, and remember the sequence, you need to extend the length of time you spend on each element, and increase the number of repetitions. Think of the length of time you take to trill up your range as equivalent to the number of weights you lift in the gym. The longer you take, the harder your support muscles need to work, and that builds their strength. Always remember, the support muscles do the “heavy lifting”, the actual vocal mechanism does the subtle adjustments, and the better your support system, the stronger the tiny vocal muscles can grow. Everything works together.

Without a good strong (and that doesn’t mean loud, so don’t push!) vocal sound, you don’t have the necessary material to create clear, expressive speech. So don’t skip your warmup. Ever. Work the power machines first, then move into the next room of the gym and work on the specifics of speech, the Articulators (lips, tongue , jaw, palates).

Above and beyond all of this. Your voice preparation and training should never, ever be painful. Do not strain. Stretch, yes! Challenge yourself to move out of your comfort zone, make weird unaccustomed noises, but nothing should hurt. If it feels painful, you are doing too much. In spite of everything I said above about power, strength and working hard, your voice needs to flow, and never be forced, so all your exercises should feel free, gentle, generous and FUN.

Performance Skills Training, Voice

Preparing for a Vocal Marathon – Part I Read Post »

Scroll to Top